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![]() Photograph © Patti Perret, from Faces of Fantasy (TOR, 1997). Taken in the 10th-century crypt of St.Peters in the East, St Edmund Hall, Oxford. (I let her out eventually.) |
Mike Scott Rohan was born in Edinburgh in 1951, next door to Robert Louis Stevenson's house (he was out). His father, from an old French family, was born on Mauritius, educated in France, studied at Edinburgh University, and joined the British Army in World War II; his mother came from an old Border farming and cattle-stealing family. From an early age he read voraciously, everything from Dan Dare to the Larousse Mythology, Conan Doyle, C S Lewis (Out of the Silent Planet, not Narnia), Tolkien and his older sister's copy of Lady Chatterley. He was educated at the Edinburgh Academy and St Edmund Hall, Oxford, where after entering in English he made the great mistake of studying law, but was sensible enough to join the SF group. There he met its president Allan Scott, who (along with terminal boredom) started him writing for the group's semi-pro magazine SFinx alongside such luminaries as Rob Holdstock, Ian Watson, Dave Langford and Andrew Stephenson. He also seized on an innocent young American called Deborah, a Philadelphia-born Stanford postgrad, who wandered into the group, and they began finding excuses not to get married. |
An erratic range of casual jobs before, during and after college ranged from OTC (laughable) to librarian, software technical writer, editor, translator, and shipping rare botanical specimens around the world (theyll find them any day now).
After getting his MA in 1973 he escaped the law to join an international publishing firm. There he spent the next five years editing encyclopaedias and other reference books under a boss with surplus chromosomes and the charm of a psychotic rhinoceros. Among his fellow-sufferers were Paul Barnett, now aka Thog the Barbarian (and SF novelist and encyclopaedist John Grant), and Maggie Gee, mainstream novelist now displaying SF influences. He joined the Pieria writers group established by Stephenson and Holdstock, with SFinx authors and others including Garry Kilworth and Chris Morgan, which had major influences on his early writing - those usually known as 'humiliation' and 'shredding'. Nonetheless several of his short stories got themselves published in British and US anthologies. Meanwhile, in 1977, he and Deborah ran out of excuses.
In 1978, as the longest surviving company editor, he took voluntary redundancy to save his frontal lobes and began writing his first non-fiction book, The Hammer And The Cross, and his first novel, Run to the Stars. He has never looked back, in case somethings following him.
MSR's other interests are equally peculiar, ranging from anthropology, history, archaeology - he has taken part in digs - and palaeontology, to cinema, hifi and home entertainment. For two years he was a columnist for the London Times. A long time ago he joined the hunt for the Loch Ness Monster, but was struck by a flying saucer. A music freak, he briefly played guitar and sang in the world's worst folk-rock band (official), and was offered operatic training, which is probably as close as you get to a definition of total failure. He is also a music journalist, a columnist and reviewer for Music Magazine and Opera Now in its first two years, and now a regular contributor to Classic CD, International Opera Collector, and others, as well as creating and editing The Classical Video Guide (1994). He believes 'classical' music should be as popular and accessible as any other kind. His favourite composers are too many to mention, but he is an authority on opera, especially Wagner, and has a soft spot for Mozart, Sibelius and Russians such as Mussorgsky and Rimsky-Korsakov. He speaks French and German, plus feeble smatterings of other languages such as Finnish, and is currently struggling with Russian.
He and his wife Deb, now Archives Conservator for Cambridgeshire, are occasional and myopic archers, and share a strong interest in wildlife conservation (support the Durrell Wildlife Conservation Trust, folks!). After living in Oxford, they moved to Leeds in 1984, and in 1994 to a small village near Cambridge, where they live next door to the pub. Don't tell the peasants with torches.
'A tutorial with Rohan? Like being the Flying Dutchman's navigator...'
John F Clarkson, fellow-student, c. 1971
'...an absolute knockout... it looks like there's one to watch!'
Ursula K Le Guin, on his first published short story
'...a very good and a very powerful writer...'
Anne McCaffrey
'...Rohan deals with sex better than almost any well-known fantasy writers...'
Locus
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